"Wherever you are it's somewhere walking straight for you. All you can do is pass it along to someone else."
Horror films are on a decline, there is no denying it. Even
when audiences do get a genuine horror masterpiece like Oculus of the Babadook
they end up disliking it because they’ve become so used to the generic , lazily
written, cheap jump scares, money making, stupid characters, cliché ridden, unfrightening
pieces of crap (god I hate those kind of horror movies) where was I? Oh yeah…
that they give it a bad score, complaining about the monsters not appearing. It
Follows may be the one that can do both, it could break that mould by tapping
into the mainstream horror, only very slightly, and then putting a unique spin
on it to be all things to all people.
Following teenager Jay’s (Makia Monroe) recent romantic
evening that culminates in sleeping with her boyfriend, he reveals that he has
passed a curse onto her. Something will follow her and torment her until she
finds a way to pass the curse on to another unfortunate soul. Abandoned by the
boy but assisted by her friends she must find a way to escape the supernatural
stalker.
It Follows certainly harkens back to what many will refer to
as the golden age of horror, the late 70s/early 80s era. Here you had
everything from exploitation, slasher, psychological and demonic, your Elm
Street’s, Exorcist’s, Shining’s and Halloween’s, all there for a fright night
you’d never forget. And elements of them all are clearly visible in this film.
It Follows takes them as inspiration, applies them to its own simple premise
and plays with them a bit as well.
This can create problems, primarily the fact that if you
know these films well enough you can see them being used and though it is great
fun to watch them, it can be distracting and reduce the actual horror. For
gullible teenagers this will undoubtedly be horrifying but be prepared to be
disturbed rather than terrified if you a horror fanatic.
But in another way that can be beautiful because there’s
more of a sense of dread rather than sheer terror. There’s a real sense that
you’re stuck on a roller coaster with Jay that you can’t get off and even though you desperately want to there’s
still enough intrigue and mystery to make you stay on. This is only highlighted by the fact that the Follower only gives chase at walking speed, but it will never stop. This gradual chase is used to great effect, something just at the corner of the screen could be the final threat and the sense of paranoia it generates is brilliant. It Follows also clearly
relishes these clichés as much as it examines them, similarly to Cabin in The
Woods a few years ago.
Actually speaking of which there are a number of
similarities as Cabin in the Woods is probably not the scariest of horror
films, but it’s clever enough to be admired as something else and the masterful
execution and no nonsense acting style from everyone involved really makes it
stand out. The same goes for It Follows. Especially Monroe as she takes just
the right approach to make me and everyone else sympathise and connect with Jay
as she struggles through teenage life before becoming the possessor of an STD
(but in this case D stands for demon) actually, you could look at this film as
a subversive comment on STD’s just as people have done so with Cronberg’s The
Fly. They act like real teenagers, they have complicated relationships but they
don’t hate each other, and at the worst of times they can come together to help
one another.
Having a character that you connect with cannot be
understated in a horror film as it causes the instinctive reaction of ‘what
would I do in that situation?’ That is the fear inducer right there. You try to
look over the practicalities and morals of the whole series of events and in
that way It Follows begins to disturb in more ways than one.
It Follows is one of the strongest and most intelligent
horror films in recent memory. Just as Cabin in the Woods dealt with creature
features, this one deals with demons and ghouls in a similar way. It’s scary
and fun and wonderfully.
Result: 8/10
This film followed me to the bin, where i left Oculus and a shattered lightbulb
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