"Everything they built will fall and from the ashes of their world we'll build a better one."
2016 is getting a lot of comic book movies, so far this year
we have seen the mega-budget versus movies and how to do them perfectly (‘Captain
America: Civil War’) and how to do them horribly (Batman v Superman’). We’ve
also had stuff that goes completely beyond the spectrum of what we thought constituted
the genre (‘Deadpool’). AS well as that of course we still have ‘Doctor Strange’,
‘TMNT 2’ and ‘Suicide Squad’ to come. But right in the middle of all of them
lies ‘X-Men: Apocalypse’, so the big question is, can it possibly stand out?
An ancient mutant (Oscar Isaac) awakens from a two thousand year
slumber to annihilate humanity in order to form his new world order. He gathers
four horseman to aide him on his quest including the immensely powerful Magneto
(Michael Fassbender). With nothing else to defend earth it lies with Professor
Xavier (James McAvoy) and his X-Men to stop the Apocalypse.
There are a number of specific things that I admire very
much about the X-Men films, the first being their exploration of themes such as
prejudice and segregation as well as their heavy ensemble nature and how they
rarely resort to a simple ‘us vs them’ attitude. As well as this I’ve enjoyed
the way that, unlike many other superhero films, their third act finale often
centres on an emotional payoff rather than a simple, weightless fight sequence.
I often find that the lesser entries in the franchise are ones that disregard
these aspects, and ‘X-Men: Apocalypse’ disregards those aspects.
It is disappointing to say the least, and while ‘Apocalypse’
is certainly not the worst X-Men film (by a long way in fact) it’s far from one
of the best (possibly by a wider margin). For starters it never really addresses
any of the aspects that once made this franchise unique. The first hour is
devoted specifically to setting up each new character and finding out where the
returning characters are. It darts from one to the next at a terrific pace and
inevitably not everyone gets their chance to shine. Which is frustrating as
some of the characterisations of the beloved characters are at their best,
Nightcrawler, Cyclops, Storm and Angel all look as if they are lifted straight
from a comic book, but like the drawings of a comic book they ultimately end up
being flat and one dimensional.
But it turns out that being one dimensional is the least of
a character’s worries as many other fall victim of tragic inconsistencies. As
Jean Grey, Sophie Turner comes across as mind numbingly uninteresting, Jennifer
Lawrence’s mystique lacks charisma of any kind and is horrifically sombre.
Worst of all though is the titular Apocalypse who not only has a design that I
can only describe as a baffling oddity, but his plan is so one note and his
motivation is so unclear (he essentially hates humanity because he’s the bad
guy). So not only does this create your basic egomaniac villain but also brings
us right into the ‘us vs them’ scenario that I mentioned before. Bad guy wants
to end humanity, good guys have to stop him, the end. The disadvantage of such
a basic moral compass is that any sub-plots or character development is crushed
by the massive ensemble on top of it. It sacrifices evolution and emotion for exposition.
But despite this each actor is competent in their role, if
anything it only makes it more frustrating that they have so little to do. On
top of that ‘Apocalypse’ fails to really advance any aspects of this universe
that hasn’t been explored before. Surely there’s only so many times someone can
say “You’re not students now, you’re X-Men”, for Xavier to defend Magneto only
to fall out with him and part their separate ways before concluding with
someone resolving to form the titular team of mutants.
But going back to those factors I was talking about earlier,
can we at least expect a unique finale that relies on emotion over meaningless
destruction? Not really. In fact the collateral damage in this film is beyond
anything we’ve seen from the DCEU and somehow seems to carries even less
weight. We don’t just see a single fictional city levelled we witness the likes
of Sydney, New York and Cairo literally wiped off the face of the earth, and
none of it really has an impact.
There are a number of deeply impressive scenes such as the
return of Quicksilver and another involving Magneto in a forest but for the
most part the action sequences themselves are drowned within CGI. Though that’s
not necessarily a bad thing (almost every blockbuster is now) the effects have
so little weight to them and are so abundantly in your face that at no point
was there a scene that I genuinely believed was real, it always felt like what
it was, an effect.
A mixed bag for a mixed franchise.
Result: 5/10
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