"When it feels scary to jump, that is exactly when you jump. Otherwise you end up staying in the same place your whole life.And that, I can't do."
J.C Chandor has certainly built up a very credible career as
a writer and director. His latest project, a gritty and stylish crime drama
also features some new editions to the Star wars universe. One would think that
Scorsese, Leone and Coppola had picked the crime epic genre clean, but one
would be wrong.
In the winter of 1981, statistically one of the most crime-ridden
years in New York city’s history, ambitious Latin-American immigrant and
self-made business man Abel Morales (Oscar Isaac) and his cold and steely wife
Anna (Jessica Chastain) have risked everything on a deal that will either make
them or break them. But now thieves, corruption and mobsters begin to drag their
hopes down into a dark and dangerous world.
Not only does this film pay homage to crime classics like the
Godfather, Scarface and Dog Day Afternoon, A Most Violent Year is a
refreshingly new yet nostalgic spin on this tale. It certainly lives up to its
namesake but includes the human drama, the emotional impact and the terror that
comes with it. Though Morales is not a very… well, moral person, you feel foe
him because he’s a dreamer, an aspirer, someone who looked at the American
dream and wanted it. Here I saw him go through so many stages of rise and
decline that you want to ask him how he continues to compromise to get what he
wants. He doesn’t jump in to the idea of being a criminal, its forced upon him,
and you sympathise with him, he’s honourable and driven by pride and ambition.
It’s hard not to respect a character like that.
This is helped by Oscar Isaac and his very impressive lead
performance. He is unrecognisable as the deteriorating businessman turned
lowlife who always maintains a sophisticated and intelligent persona while
successfully generating sympathy repeatedly. It’s hard not to be reminded of a
young Al Pacino as he waves his arms, stresses and generally creeps us all out
a bit.
Jessica Chastain gives plenty of talent for us to think
about as she pairs up with Isaac to make a quarrelling and reactant pair that
encapsulates this suburban background, with a hint of darkness to foreshadow
what is to come. Their relationship can be compared to that of a Shakespearean
tragedy and never fails to hit home and remind the audience of what is at stake
or how much damage has already been done. Chastain acts as a cold, seductive
and highly influential figure, with crime heritage from her father that shows
up frequently and she is not afraid to show us this character at her best and
worst.
Perhaps A Most Violent Year’s pace seems a little slow by
modern standards and the story telling technique used has more of an episodic
feel to it rather than a fully fleshed out, beginning-middle-end structure. And
rather than pick the pace up as the film goes along it seems to get even slower
and I can’t really decide whether that is a good thing. I suppose the best
answer I can give is that the bad times of his life are emphasised due to the
speed of his downfall compared to the speed of his uprising and it makes a
break from the norm as most gangster films escalate their scope and pace
throughout, this one knows exactly where to start and how to end.
The score reflects all the angst and style of the era, as
well as representing the dirtiest and most glamourous of deals. The tension is
built up and occasionally erupts in violence, but ironically the main violence
in this film is expressed verbally. It comes through in the form of
conversation, and I never felt the need to see what the characters were talking
about because the performance, writing and execution of all these elements make
it an astonishingly gripping sequence of events.
Thanks to some incredible performances and highly stylised camera
techniques Chandor is able to craft an epic from a story where not a lot is
actually happening. Brutal, impeccably executed and enthralling, as well as
emotionally impactful throughout.
Result: 9/10
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