"If you go down this road the L.A PD, the FBI, the CIA are all gonna come for you. They will find you and they will stop you."
To say that Taken 3 had problems is a sight understatement.
To be honest after the third instalment of a very tired franchise it’s
difficult to remember a time when this was the hottest new action movie around,
one that everyone wanted to imitate, including the Taken franchise. And wow,
they have failed this time.
Bryan Mills’ (Liam Neeson) reconciliation with his ex-wife
is cut short when she is murdered and he suddenly becomes the prime suspect.
Now Mills must go on the run to uncover the truth and stop them before they
destroy the only thing he has left.
You might find a few similarities between this and the
Fugitive with Harrison Ford and an Oscar winning Tommy Lee Jones. But imagine
that every element of the Fugitive is a lot worse and much more predictable and
you have Taken 3.
One of the main rpblems with this film is that it’s
pandering to a PG-13 audience which really shows. It makes Mills’ skills (ha, I
didn’t even mean to do that) look completely unbelievable and almost comical.
We get that Mills is supposed to be good at what he does but now he’s obviously
more at home in the Marvel Cinematic Universe, so there’s no tension because you
know that the central character will just find ways to get out of whatever
situation he’s in for the sake of the plot and how motivated the writer are to
actually create something original on the day of making this.
Half of the time the writers don’t even tell us how he got
out of the situation. One moment there’ll be an explosion that is obviously
fatal to everyone in the area but then in the next scene we see Neeson alive
and well. How did he get there, we have no idea. Does it matter, according to
the writers, no.
If you’re going to have cheesy action at least have lots of
it. But instead of that I had to wait nearly an hour until Neeson finally began
to go all ‘I will find you and I will kill you’ on the bad guys. To be honest I
can’t even remember who the villain was. It was completely forgettable and
utterly pointless because this film was not made to have an intriguing
antagonist, it was made to have lots of them so Neeson could take them down.
But it didn’t even have that.
To be fair Forrest Whitaker and Liam Neeson both do a good
job with the material they have. The characters are clichéd and ridiculously
bulletproof but they still have some interesting conversations together. Not on
the level of Jones and Ford in the fugitive, but mildly entertaining
nonetheless.
As an action director, and on such a high (maybe) profile
title as the Taken franchise, Olivier Megaton gives a truly terrible technique
to Taken 3. Megaton uses about five different camera angles to show someone
jumping over a fence but at the same time only includes about ten seconds of
single shot footage (meaning that only about two seconds of it can be seen) of
action sequences. His priorities are seriously mislaid. The constant stream of
sound effects doesn’t help either.
It would also be a good drinking game to find as many plot
holes as you can in this film. Actually I can’t suggest that because I think I would
be endangering anyone who reads this blog to alcohol poisoning. Nothing makes
sense, events only occur in this film because they need to for the sake of the
plot and it’s painfully obvious that the film was written that way. ‘Fugitive
rip off, go out and do it. Don’t worry about making changes to the start of the
movie to compensate for this twist we add in later. Take your time to show Liam
Neeson reading a text, but not any time to give us a good action sequence!’
Not brutal enough to be a serious action movie nor
fun enough to be a guilty pleasure. If you want a film about a man on the run
watch the Fugitive, if you want a good Taken film, watch the first one.
Result: 2/10
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