"This isn't about money, this isn't about politics. I can target anyone, anything."
Michael Mann in known for directing some of the most intense
and action packed thrillers of recent years with Collateral and Heat. With this
latest film with Chris Hemsworth he has clearly decided to cut out most of the
action and intensity, which leaves us with… um.
Following a devastating explosion of a Chinese nuclear plant
initiated by a mysterious computer hacker, convicted hacker Nicholas Hathaway
(Hemsworth) is released to track down this attacker before he kills anyone
else.
It does appear that the issue of computer hacking resonates
even more in this specific time than it ever has previously, especially in film
given recent events. So this would appear to be the perfect opportunity for Man
to craft a well-paced thriller that can use this concept to its full advantage.
The first half of this film does just that, racking up the tension as the hacker
makes his demands, presenting the search for him in a cat and mouse fashion.
But as the film progresses it deviates from this tone to
take on more of a generic espionage route. This is where the problems really
start to show as the levels of suspense dissipate as does the attention to
detail that holds the film throughout the first half.
The poorly plotted romance only worsens the clichés that pop
up repeatedly. Furthermore the slow pace of a film like this works for the
build-up, for the beginning of the plot. But as the story develops in this way
ideally the pace should escalate to match it, but instead it dawdles on at the
same painfully slow speed and eventually it just feels as if Blackhat is
deliberately dragging out as long as it can.
The only exception is a very well-directed shootout,
something that Michael Mann always excels at. But there’s not enough of that in
the rest of the film to match it. I’m not saying that a shootout would be the
only way to make this film better, but it would help if we got there faster.
This film goes well over the two hour mark so on reflection, even though I thought
the first half was better, it could have been drastically cut down given that
half of what they set up does not completely pan out.
There is a quality to Chris Hemsworth that almost carries
this film beyond what it actually is. But it’s not enough to make up for the
fact that his character overall is very poorly written. He struggles to connect
with the viewer and he fails completely to generate any kind of gravitas that
would help to add to that promising early potential, like I said, he came close
to giving this film a redeeming feature. And though I may accept that he’s a Norse
god or James Hunt I cannot see him as an expert computer hacker.
One redeeming feature might be the style of the film. It is
shot in a very crisp, modern look that could be confused with one from David
Fincher, but of course it lacks the sold script. It is the reason why you
should not jump to blame Mann instantly because he is good and does everything
he can with a rather laughably bad written script. The signature handheld
camera techniques all make the few action scenes stand out.
I suppose I may be
spoiling the film here but what the hell, the villain who was set up really
well, is revealed to be someone who simply wants money with no deeper
motivation or any kind of distinguishable traits. The only thing that really
marks him as a unique character is the fact that he’s not handsome like our
hero. So at the end of the day this is an ugly villain being defeated by the
good looking hero who also happens to be smart and strong and great with a gun
and instantly attractive to women. Yep.
Though it may be stylish the few inspired moments are out of
place with the low budget feel the film has overall, combined with a generic
script and a story arc that moves at a snail’s pace. Additionally the term
Blackhat means cybercriminal and was derived from the villains in westerns,
known for their black hats, they had more gravitas than this film.
Result: 3/10
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