Last year, when I inscribed my predictions for the Oscars of
2014, I was drastically wrong in virtually every category. I concluded that the
reason for this was simple, I let my own opinions get in the way and forgot
that the academy would not up haul their traditions that year. But then I
realised, why is that a problem? Think about it, why would anyone just want to
see me make the most accurate predictions I could only for them to all be right
and then another article of me going “I told you so”.
Instead I’m doing the exact same thing I did last year, I’m
basing my predictions off of a combination of factors. Firstly who I want to
win and then secondly who I think will win. For the most part I’ll just revert
to who I think will win, but should I find myself unsatisfied at such a
possibility I will state who I would want to win the award. Will they be right?
Probably no, but who cares?
Best Picture –
Spotlight
Many seem to be backing ‘The Revenant’ to take home the
award but more recently ‘The Big Short’ has come into contention as an outsider
(which I would like as it would allow us to say “From the Oscar wining
director, comes ‘Anchorman’”), meanwhile RogerEbert.com have placed all of
their bets behind ‘Mad Max: Fury Road’ taking home the statuette and if I was
going for my personal choice alone I would pick ‘Room’. All of which are good
choices, but in terms of a film that matches what I want to happen, and what I
think will happen, I have to go with ‘Spotlight’ in important, heart-breaking
and inspirational masterclass.
Best Director –
George Miller
Yeah, I said it. You know why? Because Inarritu will have
many chances to take another award (he already has three for ‘Birdman’) and
just for once I want to see an Oscar go to a 70 year old Australian who started
out making cheap exploitation movies funded by his night shifts in a hospital
emergency room that would miraculously turn into a franchise, then moving on to
movies about talking pigs and dancing penguins before returning to his
exploitation franchise to craft a defining action masterpiece (seriously, just
so I can say it one more time, ‘Fury Road’ joins the ranks of ‘Raiders of the
Lost Ark’, ‘Die Hard’ and ‘Terminator 2’). Is that so much to ask?
Best Actor –
Leonardo DiCaprio
I don’t like to think about what will happen if Leo doesn’t
win, protests, boycotts, riots? If it were any other year I would bet on
Michael Fassbender winning, but if he continues to make good choices his time
will come. For now, it’s DiCaprio’s turn.
Best Actress – Brie
Larson
If Larson doesn’t win this award there is no justice in the
world. There’s nothing else to talk about, moving on.
Best Supporting
Actor – Sylvester Stallone
40 years ago ‘Rocky’ swept the Oscars, winning awards for
its director, producers, but not its writer or star, Stallone. We thought the
moment had passed, but he’s back and maybe, just maybe he can change. Because
if he can change, then we can change, everybody can change!
Best Supporting
Actress – Rooney Mara
Mara is definitely in the wrong category here, she shares
the limelight of ‘Carol’ with Cate Blanchett, but she’s been labelled a the
supporting actress so she might as well get an Oscar out of it, right? I think
so, but then again don’t discount Alicia Vikander or Kate Winslet (who won the
category at the BAFTAs) snatching it away.
Best Original
Screenplay – Inside Out
There are a lot of eligible winners this year ‘Bridge of
Spies’, ‘Ex Machina’ (which should be up for Best Picture in my opinion), ‘Spotlight’
and ‘Straight Outta Compton’ all being promising candidates that wouldn’t disappoint
me too much. But for me, none of them have the charm, the imagination of the subtle
brilliance of Pixar’s latest classic.
Best Adapted
Screenplay –The Big Short
Intelligent, satirical, dramatic, there’ nothing else to say
really.
Best Animated
Feature Film – Inside Out
That can’t come as a surprise, no other film is as
universally accessible or uses the concept of animation to its fullest as much
as ‘Inside Out’.
Best Foreign Language
Film – Son of Saul
I admit I haven’t seen every nominee in this category (in a
digital age distribution schedules remain baffling) but they would be hard
pressed to be as good a ‘Son of Saul’.
Best Documentary
Feature – Amy
Every year the Academy likes to say “we’re not old men, we’re
down with the kids, we understand”. So this year that could mean a victory for
the Netflix film ‘Winter on Fire’, which is excellent. But for every other
reason, ‘Amy’ should win.
Best Original
Score - Ennio Morricone
Best
Cinematography – Emmanuel Lubezki (Sorry Roger Deakins, for like the
fiftieth time)
Best Visual
Effects – Star Wars: The Force Awakens (because I want it to, that’s
why)
But what do you think, can you do better? Leave a comment
below if you do, also if you want to get angry at the Academy here’s an article
I wrote on some of the best Hollywood directors who never won an Oscar, you won’t
believe half of the name on this list http://www.tasteofcinema.com/2016/the-15-greatest-hollywood-directors-who-never-won-an-oscar/
Thanks and bye.
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