"I have to succeed, so that she can succeed, so that we can succeed."
Pixar is certainly a very different company to the one that
birthed Brad Bird’s ‘The Incredibles’ back in 2004. Though the animation
powerhouse continues to deliver widely acclaimed content, their increased
reliance on sequels has led to some questioning whether their creative intent
is still artistically driven. It’s what makes the prospect of a sequel to ‘The
Incredibles’ both intriguing and cautionary, for fear that it might not live up
to its 14 year old predecessor.
Immediately following the events of the first film, the Parr
family find themselves living in difficult times as super heroes like
themselves are still deemed illegal. But the family is then approached by a
rich tycoon who wants to shine a positive light on superheroes, and decides to
run with Elastigirl (Holly Hunter) as their best bet for good PR. As she fights
crime and unravels plots, Mr Incredible (Craig T Nelson) is left to manage
familial disputes at home.
One of the most remarkable things about Bird’s 2004 is its
ability to multitask. Upon watching ‘The Incredibles’ for the first time you
may be amazed at its stunning action sequences, emotionally resonant plot and
mature themes. But on revisiting it you uncover the brilliant nuance in each interaction,
the seamless way the narrative unfolds and develops with beautiful pacing, the
hyper-efficient ways Bird establishes each character and that all important
family dynamic that underpins the whole film. Achieving any one of these is
difficult, but to execute all of them in such perfect unison as ‘The
Incredibles’ is something else.
In many ways Bird’s sequel accomplishes the same task in
that it does contain all of those impressive features from the first. The plot
is involving and consistently intriguing, as well as highly entertaining. The
characters are all well established and superbly developed over the course of
the film. Furthermore the general dynamic of the family is still as prevalent
as ever, with each character interacting in ways that uniquely benefit the
story whilst making them stand out as individuals. It also goes without saying
that Bird bestows a sense of kinetic energy to each and every action sequence
with masterful effect.
So on that front ‘Incredibles 2’ certainly delivers on what
fans of the original likely want in a sequel. What it lacks though is the ability
to coordinate each of these elements and convey them simultaneously as the
first did. At his best Brad Bird can strike the perfect balance between theme,
character and action whilst using all three to complement and further one
another. We’ve seen this in ‘The Iron Giant’, ‘Mission: Impossible – Ghost Protocol’
as well as ‘The Incredibles’ of course. In ‘Incredibles 2’ these elements are
present but somewhat out of synch, being developed independently of one another
rather than simultaneously.
It’s as if each consecutive scene has a different goal in
mind, and though the film weaves them together as best it can, the overall
structure and pace of ‘Incredibles 2’ doesn’t lend itself to dual storytelling.
Even on its most basic level the narrative can’t quite render the superhero
actions of Elastigirl with the domestic duties of Mr Incredible as being truly
linked. They each unfold separately and only seem to converge in the third act.
One scene can be funny, another can be dramatic and another can be thrilling.
But rarely does a scene do more than one of these at a time.
There’s also less nuance to how the characters develop and
how the family’s dynamic unfolds. At certain points ‘Incredibles 2’ risk being
either too overt or too ambiguous in its characterisation. There were times
when I found myself questioning why certain characters were acting the way they
did in a particular moment, to a point that even if the overall intention is
made more clear in retrospect, the moment at hand can’t quite convey what
drives each decision.
Thankfully what isn’t lacking is the amazing talent of the
voice cast, with Craig T Nelson and Holly Hunter seamlessly returning to their
roles. It’s not just their individual performances that stand out, but their
brilliant chemistry is just as terrific. Their interaction creates a grounded,
believable relationship that serves as a through line for the entire movie. Pixar
also cast this instalments new characters with pitch perfect precision. The
ever brilliant Bob Odenkirk and Catherine Keener are (no susprise) still
brilliant in their respective roles. Also, as well as losing none of his
directing prowess, Bird has lost none of his voice talent as he reprises the
role of Edna Mode and brings her to the screen in all her glory once again.
Though the action is thrilling it does lack a sense of
escalation that was also perfectly paced in the original. Once again it comes
down to the movie struggling to convey multiple ideas at once, as each action
sequence is impressive but hardly ever seems to contribute or further the
narrative in a truly dynamic way. Even the final conflict only serves to
resolve the plot rather than wrapping up any character arcs in a meaningful
way. Each characters arc is resolved by that point but only through dialogue
rather than action, which makes the super powered scenes feel somewhat
obligatory.
Likely to please any fan of its predecessor, ‘Incredibles 2’
isn’t quite as polished or refined, but still possesses all of the charm and
entertainment value of Bird’s 2004 film.
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