"Would you be surprised if I told you that the Navy has credited you with over 160 kills?"
Given that the last true story that Clint Eastwood brought
to cinema was a bit of a disappointment this story of the deadliest sniper in
US history seems to be more up his street. And with Bradley cooper starring,
can the man with no name prove that he still has what it takes to be a great
director as well as a great actor.
Based on Chris Kyle’s (Bradley Cooper) life, a shooter who
became a US sniper in Iraq, is chronicled in American Sniper. From his brutal
training to his family life, his decorated tours of duty to his obsession with
finding the high level insurgent known only as the Butcher.
There are many elements of Eastwood’s directorial trademarks
present here. For a start there is that large scale of action mixed with human
drama. Eastwood applies different techniques to nail them both, the human
aspect feels fleshed out and real and the action feels brutal and heart
pounding in comparison. The differences between the two are studied and used
repeatedly as a theme throughout the film as Kyle struggles to keep his
professional personality separate from his role as a family man.
The suspense it creates is drawn up to great heights as it
was with The Hurt Locker, and there are a lot of elements that ring true for
both stories. Whether it was intentional or not Eastwood borrowed some aspects
from Kathryn Bigelow’s masterpiece.
However there are some issues with the film and that does
come down to what you fear it might be from a film called AMERICAN Sniper.
Rather than attempting to remain in the neutral zone the writing and direction
of the film is far more black and white than one of this subject matter should
be. American Sniper fails to explore the deeper and darker aspects of PTSD that
are implied throughout. This is clearly a damaged and wounded individual and it
looks like Cooper wants to explore that as an actor because he takes every
opportunity he can to hammer this point across.
Furthermore this film never questions Kyle’s actions on the
level that it could. This is not a man who is hailed by everyone and many take
offense to his praise as a hero. And while most biographical films should take
a chance to celebrate their subject when they can, if you’re dealing with a man
as controversial and questionable as this and take the approach that American
Sniper does, it feels like a wasted opportunity.
It’s not just down to a question of morality, it also fails
to deliver on the psychological level in the same way that say… Nightcrawler
did. And I know that maybe I’m critical of this film instinctively as American
Sniper and Bradley Cooper took the place of Nightcrawler and Gyllenhaal at the
Oscars, both of which are far superior in my opinion.
Cooper does give a fantastic performance here. He manages to
portray the emotional trauma and fear within the character but that just makes
it more irritating that they didn’t go deeper into his psych. He wants to be a
simple person and remain connected to his personal world. But he also conveys
to obsession an madness that comes close to consuming him.
To the film’s credit it does portray the ugliness and
grittiness of war, but in a way it uses that to make Kyle more of a hero. It
shows how he has to cope with himself and overcome this horrific side of
himself. While on paper that sounds complex it gives it more of a feeling of
standing against the odds and overcoming terrible aspects and never leaves it
to the viewer to understand.
Though there are some excellent elements of American Sniper,
there are not enough of them nor are they explored in enough detail to make it
truly great.
Result: 7/10
No comments:
Post a Comment