By this point of the year I have to ask, what the hell is
wrong with this summer? Everything seems to be either bombing or disappointing
one way or another. With the exception of ‘captain America: Civil War’ we haven’t
really had anything that could be labelled great, and as for the box office the
only other thing to make a substantial climb is ‘Finding Dory’. In terms of
blockbusters it has been a fairly lacklustre summer season so far, while there
are plenty of great movies out there if you’re willing to look for them, as far
as popcorn entertainment goes we have the wonders of ‘Independence Day: Retraining
Revenging Renegade Rebirth Rise’. Where did all the blockbusters go?
I’m willing to place my bets that the audiences are out
there but are actually craving something good, proven by the fact that ‘Warcraft’
and ‘Alice Through the Looking Glass’ are struggling to break even. So that
means that it could all be for the taking for whatever blockbuster is genuinely
great, ‘Jason Bourne’, ‘Suicide Squad’ or ‘Star Trek Beyond’ all have the
potential to make it big and if they are great then they just might. I’m
calling it now, expect the next great movie this summer to blow up in a big
way. But anyway, onto the best and worst of this month.
3: Finding Dory
Pixar’s latest sequel may not live up to the brilliance of
the original instalment but it is an emotionally heavy, brilliantly animated
and superbly acted family film. You have the usual mix of heart and humour that
Pixar have almost perfected by this point and it is undoubtedly going to be a
crowd pleaser, in fact if it continues to climb at the rate it has we will
probably be looking at a new frontrunner in terms of highest grossing movie of
the summer, we’ll know by the end of this week. Ellen DeGeneres is terrific in
the role that put her back on the map way back in 2003 (wow, I feel old) as
well as a wonderful cast of supporting characters. It may not be Pixar’s
strongest effort, but a mediocre Pixar movie is still pretty damn good.
2: The Neon Demon
From family friendly to a film that should not even be
mentioned in the same sentence as family friendly. Nicholas Wending Refn’s
often insane and sadistic take on the fashion industry, fame and beauty in
general is a disturbing yet also oddly prophetic film. It may be perfect by any
means but it is amazing to behold from its stunning cinematography from its deranged
story. Elle Fanning’s slow loss of innocence is almost haunting, only rivalled
by the sheer arrogance and obsessive jealousy of her rival models, or Keanu
Reeves’ eerie and disturbed landlord. Wending Refn’s use of light and colour is
extraordinary, making a film that is simply gorgeous to look at, the visuals
only elevate the film to an even higher level of artistry.
1: De Palma
It is remarkable that Pixar and Wending Refn are beaten out
by what is essentially a film about a man talking for 108 minutes. But when
that man is Brian De Palma, one of the most interesting and innovative
filmmakers to come out of the New Hollywood wave, the result is an insightful
and endlessly entertaining movie. It’s a pleasure to watch the acclaimed
drector discuss not only his biggest hits like ‘Blow Out’ and ‘Scarface’ but
also his misfires and failings. The stories of their development, success and
aftermath are discussed in glorious detail and all without ever sounding as if
he is bragging about it. It’s an introspective of both De Palma himself and the
entire film industry and its evolution over the past fifty years.
And the worst...
Teenage Mutant
Ninja Turtles: Out of the Shadows
The fact that this movie bombed financially gives me hope
that there is some justice in the world. What it sadly does not do is erase it
from my memory. A crass display of vulgarity, clichés and tired stereotypes
that turns the once beloved turtles into CGI, steroid fuelled monstrosities.
Some have excused the movie with the defence of “it’s only for kids” but to
that I say, do we really have such little respect for our children that we
would take them to this? I would rather make them watch ‘The Neon Demon’, okay
that’s a lie but regardless, this film is terrible.
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