"Just forget about the flying monster guy and try to focus on being more like a kind of, friendly neighbourhood Spider-Man"
When it comes to everyone’s favourite web slinger, the
variation of quality for big screen adaptations is a wide margin. On the one
hand you have Sam Raimi’s ‘Spider-Man 2’, which was not only hailed as a great
movie upon its release, but is still regarded as a high point of the superhero
genre (it genuinely holds up shockingly well). But on the other end of the
scale you have the manufactured, soulless, franchise pandering train-wreck that
is ‘The Amazing Spider-Man 2’. High ceiling, low basement.
Thrilled by his experience with the Avengers, young Peter
Parker (Tom Holland) returns home to live with his Aunt May (Marisa Tomei). Under
the watchful eye of Tony Stark (Robert Downy Jr), Parker starts to embrace his
newfound identity as Spider-Man whilst also trying to return to his daily
routine. Peter must soon put his powers to the test when the evil Vulture
(Michael Keaton) emerges to threaten everything that he holds dear.
It’s strange to think that the biggest movie franchise on
the planet is being forced to compromise with another, much less powerful
studio that botched their own attempted franchises twice before. But that’s
exactly the situation that Marvel Studios find themselves in when trying to
make their own Spider-Man movie. Having been introduced in last year’s ‘Captain
America: Civil War’, Tom Holland steps into the web slinger’s costume to take
his place amid the rest of the MCU. Of course, Marvel had a tightly wound
schedule for the next ten or so years of filmmaking, but their deal with Sony
basically changed the playing field, meaning that a few things had to be
shuffled around and other things had to be rushed forward and in some regards
that is evident within ‘Spider-Man: Homecoming’.
But since I’m an optimist (okay that’s not true, but just go
with it) I’ll focus on the positives first. In fact there are mostly positives
to be pointed out since on the whole ‘Spider-Man: Homecoming’ is another solid
entry for Marvel. It’s a fun and entertaining ride that promises plenty of
laugh out loud jokes, likable characters and a relatable setting for its target
audience. The movie is easily at its best when it embraces its high school
movie influences. They understand the fact that at its heart Spider-Man has
always been compelling to the masses because he is simply an ordinary teenager
trying to navigate life, merging the person he is with the person that he wants
to be. ‘Homecoming’ not only understands this but also fully embraces it, to a
level where it almost feels like the superhero aspects of the plot feel more
obligatory than anything else.
However, therein lies one of the problems, as the action
scenes and narrative of the movie feel somewhat underdeveloped. We are treated to
another fairly generic villain in the form of the The Vulture who despite being
portrayed with great charisma and menace by Michael Keaton (were we expecting
anything else?) lacks any discernible motivation or memorable presence. While I
do enjoy the fact that the plot bases itself heavily on Peter Parker’s own need
to carve out an identity amid this sprawling world, the actual story doesn’t seem
to yield much consequence.
The thing is, many MCU solo movies feel the need to jog on
the spot in order to maintain the status quo for the eventual team up later
down the line. That is what ‘Spider-Man: Homecoming’ suffers from, things
happen but none of them feel like they have an impact. The main emotional arc
is that we get to witness Peter Parker becoming Spider-Man, which is fine but
not something we’ve never seen before. As I said though the high school setting
and comedic sensibilities lead to a greater sense of freshness and originality.
While it’s action scenes are not particularly memorable (especially when
compared to Raimi’s movies in which every action sequence works to further the
characters and their development) the way the characters react to them and take
us toward them is hugely enjoyable.
The cast are probably the strongest aspect of the entire
movie, with the young actors being more than convincing in their respective
roles. Tom Holland is exactly what I think of when I think of Peter
Parker/Spider-Man, a morally driven kid torn between two identities. The
dynamic he shares with his classmates is believable and often hilarious, with
Zendaya, Toni Revolori, Jacob Batalon and Laura Harrier all doing a good job at
drawing me into the unfolding high school drama. Then there’s Robert Downey Jr
and Marisa Tomei who, along giving me weird feelings over Aunt May’s
attractiveness, are compelling mentors to Peter as he makes his way through
both high school and heroism.
While that high school setting does work for the narrative
and humour of the movie it never quite feels as involving as it should,
especially when for the first time their “high school superhero” doesn’t look
like a 30 year old pretending to be a teenager. But while the environment puts
a fresh dressing on the story, it doesn’t give it enough substance. When they
pull out the old “Spider-Man lifting the heavy thing” moment is feels like an
obligation rather than what it should be, a metaphor for the emotional weight
said hero is lifting and overcoming. I feel like I’m being too critical since
this is still a highly enjoyable and entertaining movie, but I guess I just
wanted a bit more.
Another solid effort from Marvel that is joyous and
massively entertaining, but perhaps somewhat lacking in substance.
7/10
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