"He was the most alive human, and if it wasn't on the edge it didn't interest him."
The passing of Heath Ledger was probably one of the greatest
losses to the craft of acting in recent years. The sheer potential Ledger has
just tapped into with his awe-inspiring performance in ‘The Dark Knight’ was
astonishing, coming off the back of other impressive turns in ‘Brokeback
Mountain’ and ‘I’m Not There’. Instead of decade upon decade of terrific
performances we and everyone that knew him were robbed of his remarkable talent
as well as him as a person. Close to a decade after that we get ‘I Am Heath
Ledger’ as a celebration of his life work.
With contributions from Naomi Watts, Ben Medelsohn and Ang Lee,
this documentary takes an intimate look back upon the art and life of actor
Heath Ledger.
A good question to ask for documentaries, especially ones of
this nature, is “would this be better as a narrative feature?” If the answer is
“no” then it’s a good sign that the movie is an affecting piece of cinema and
that is the case for ‘I Am Heath Ledger’. This documentary weaves in home
videos of Ledger as well as media reports and modern interviews that inject
such an intimate and personal sense of meaning to proceedings. It allows us to
get an up-close look at the actor and experience the affection and personality
others are describing. It’s hardly a revolutionary technique and one that has
been executed better elsewhere but it serves the narrative here very well. If you
want to see it done to perfection then check out both of Asif Kapadia’s recent
documentaries ‘Senna’ and ‘Amy’.
Actually, speaking of those two particular documentaries I
do have to remark upon a flaw with ‘I Am Heath Ledger’ in that regard. I find
that the best documentaries dissect their subject rather than just celebrate
them, and while Ledger himself is certainly worthy of being celebrated one has
to ask if the documentary should have tried harder to uncover more about him and
dig beneath the surface. It’s not an approach I object to but it’s one that has
its limitations. I already knew what this film had to tell me about its subject
whereas those I mentioned earlier by Kapadia added a whole new dimension to
their subjects.
That being said, I try to judge a film on what it is, not
what I think it should be and as a celebration of Ledger’s life and work this
documentary excels. The sheer amount of people praising him is meaningful
enough, but to see the interviews in full where we can feel the genuine empathy
and meaningfulness to what each guest is saying makes it all the more
impactful. They range from reminiscent to somewhat mournful as one does when remembering
a departed friend/loved one, though I must say there are some notable
absentees. Could they not at the very least pull some archive footage of
Christopher Nolan or Terry Gilliam discussing Ledger given that they each
directed his final two performances?
In fairness though the movie never claims to be a subjective
view of its subject. That is obvious both from the way it handles the
interviews about Ledger as well as the fact that it foregoes any formal
interview of the actor during his lifetime in favour of recovered home videos.
It further adds to the personal feel the documentary possesses. It’s heartfelt,
tender and to someone like me who continues to admire Ledger’s work as an
actor, doesn’t take long to resonate on an emotional level. We also get insight
from professionals within the industry who further emphasise the remarkable
nature of the actor’s career. As Mendelsohn remarks at one point, Ledger had
established himself as a movie heartthrob only to turn around and star in a
prestige picture about gay cowboys, in 2005. Granted it does not seem an age
ago but ‘Brokeback Mountain’ remains a bigger touchstone and risk taker than
many people give it credit for, and it’s not something every actor would
undertake other than those willing to push themselves and their craft.
In terms of how it is structured the movie does a superb job
of weaving its many sources together. Obviously it has no straightforward narrative
but everything within it intently revolves around the man himself and all feels
tightly focussed and constructed. It’s a humane portrait but one that never escapes
the grasp of its makers. But as easy as it would be to just recount Ledger’s
filmography the movie goes one step further as it never fails to infuse a sense
of humanity into proceedings. It’s not about Heath Ledger the movie star, it is
about Heath Ledger the actor who strove to improve his craft, and was admired
by so many.
Intimate and personal in the best of ways, ‘I Am Heath
Ledger’ does not dissect its subject but it is a fine celebration of him.
Result: 7/10
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