"I am a believer in the perfectibility of human beings. At the Circle, we can finally realise our potential."
I should probably learn to not be so excited based purely on
the promise of a movie. Not only did a film with the premise of ‘The Circle’
sound like a brilliantly relevant subject, but combined with the strong cast of
Emma Watson, Tom Hanks, John Boyega, Karen Gillian, Patton Oswald and Bill Paxton
(in his last ever film role) as well as being directed by John Ponsoldt (‘The
Spectacular Now’, ‘The End of the Tour’) made it appear to be a very promising
piece of cinema. But promise and execution are two very different things.
Mae (Watson) is an ordinary and unaccomplished young woman
with an ill father. Through an influential friend, she gets a customer
relations job at powerful internet corporation The Circle. She quickly rises
through company's ranks, and is selected for an assignment with the Circle's newest
technology which she eagerly takes on. Soon she finds herself in a perilous
situation concerning privacy, surveillance, and freedom that could affect the
entire human race.
I always hate it when movies try to preach a message about
something they clearly have no understanding of. It’s like being lectured by a
clueless teacher, a giant waste of everyone’s time. But imagine of said lecture
was also mind numbingly repetitive, predictable from the outset and so inconsistent
in tone you start to wonder if you’re even listening to the same person
anymore. Take all that into account and you have ‘The Circle’.
There are a lot of interesting ideas and concepts within ‘The
Circle’ but in another way that is the exact problem, in which none of these
concepts feel like a fleshed out narrative, a compelling story or interesting
characters. They remain purely conceptual and never actually feel integrated
into the story. In fact I question whether anything was actually integrated
into this story as it mindlessly strays from one plotline to the other, introducing
new elements on a whim, dropping old ones without actually concluding them and
taking the narrative approach of a thriller even though everything the movie is
saying becomes overtly obvious within the first fifteen minutes. There virtually
no underlying structure or plot to proceedings and instead if just drifts
around aimlessly.
As I said at the start though, for the movie that keeps
insisting it is a parable about the dark side of modern technology it seems to
know very little about it. At its best it resembles an amateur rundown of
technological concepts and at its worst it’s a work place drama that drops in a
few sentences of technobabble every so often. There are any number of outlooks
on this subject that are not only much more informed but take a much more
original approach. Half of them are on TV in the likes of ‘Black Mirror’ and ‘Silicon
Valley’ and both of them feel infinitely more cinematic.
Despite showing a talent for directing low key, human
dramas, here Ponsoldt seems lost over how to approach this material. In what
feels like it should have been a tightly wound thriller or a cutting edge
satire he tries to make it both and the result is a movie caught awkwardly between
two directions, being neither instead of both and it’s not just through tone.
His editing and direction heighten the idea that we’re seeing a mutated hybrid
of two very different projects, both of which feel cut short as a result. To
make matters worse the plot is just so predictable and repetitive of itself that
it’s hard not to roll your eyes whenever the movie introduces a new element it
seems to think will catch you by surprise. It only succeeds in further
convoluting the already obvious story.
Not even the talented cast seem to be able to make this
work. Boyega and Gillian feel underused, Watson is given so little to do with
the character that it comes across as utterly one dimensional and flat. Then
there’s Tom Hanks who despite being mildly magnetic as the villain still has
too little to do. We understand the role of the tech giant Circle corporation
is to carry out evil intentions but we never actually find out why what they’re
doing is evil. By that I don’t mean there’s a lack of motivation (though for
the record there isn’t any of that either) I mean the movie never actually explains
why, by the laws of this world, what The Circle is doing is considered so
diabolical.
It really is remarkable that a movie that is basically about
what would have happened if Facebook was organised like Google became a thing
can feel so detached or uninvolving. ‘The Circle’ not only seems completely
clueless about what it is trying to say but also what it wanted to be in the
first place. There are enough scary concepts about the internet to make a movie
foretelling them feel relevant, but the ones you find within ‘The Circle’ have
not only been explored elsewhere, they also feel hideously repetitive.
‘The Circle’ just preaches things we’ve heard elsewhere but
in a much less effective and much less interesting way.
Result: 3/10
No comments:
Post a Comment